Maryland emcee and producer ScholarMan is geared up to release what is technically his fifth studio album GameShift: The Movement. To some, this number of projects may come as a surprise, but ScholarMan has previously dropped other releases under former name “Scholar.” He re-introduced himself in January of 2007 with his new modified name and sound with the release of “Candy Medicine” and again in 2008 with “Soul Purpose.”
Both of these albums were well-received by a good number in the hip-hop community; many who wanted to hear more, and he answers with a new and even more innovative album GameShift: The Movement. According to ScholarMan, the concept of his new album is simple: positive, forward movement. Everything is shifting, changing; from hip-hop, politics, the economy and more. On this album he is encouraging listeners to join him in the effort to shift the “game” in a more positive direction. Read the rest of this entry »
I’ve always been a casual fan of the Living Legends, mainly due to the influence of Murs. When Sunspot Jonz dropped Never Surrender in January of this year, it gave me a chance to look him up a bit more. True enough, I found out that SJ is no ordinary member of Living Legends; he actually started the group along with Luckyiam.PSC in Cali during the early ’90s. Sunspot’s rugged flow along with his politcally-influcenced ryhmes bang real hard. Here’s what the boys over at HipHopLinguistics.com had to say back in April:
Last week was a big week for the Living Legends crew. On April 8, the group’s compilation album, “The Gathering EP,” dropped alongside The Grouch’s long-awaited “Show You The World.” And personally, I was one of the many people who were amped. At 6 a.m. on the 8th, I logged onto my iTunes store to download both albums so I could listen to them during the long train ride to work. But when I went to purchase, something jumped out at me. Under related albums, I saw a listing for Sunspot Jonz’ “Never Surrender” – an album that had apparently been released under the radar back in January.
Being a huge fan of the entire Living Legends crew, and unwilling to miss such a release, I added a copy of Sunspot’s album and headed to work. The rest of the week turned into a Living Legends week for me – as the three albums were all that I listened to. And when it came down to writing a review, “Never Surrender” just had to be the first one.
When researching this album, I found almost nothing that favored it. As expected, none of the major publications or websites covered it. But what surprised me was the manner in which the album was dissed by bloggers and underground heads. Everything I could find written on this album was negative – which was strange to me since I thought it was one of the better releases of the year thus far.
Sunspot is one of my favorite Living Legends. His voice, flow and delivery are unique – making him one of those cats you could pick out of a cipher from a mile away. The beats might not always be banging, but there are more than enough hard-hitters on this album to put a crink in ya neck. And as always, Sunspot comes with a plethora of topics and verses – somehow managing to switch between conscious, funny, heartfelt and reflective throughout the course of the album. I honestly can’t pick out a song that is wack, and have so many favorites that I couldn’t possibly select any one to feature above the others. Overall, I had no problem listening to this album from beginning to end, over and over again.
The best example I can think of to illustrate Sunspot’s lyrical presence is the opening verse fromSidewinderz Theme, in which Sunspot constructs an entire scene with his rhymes. The following verse is so descriptive that I can almost see the characters he is rapping about:
The little old man collects his cans/
The streets don’t change, it’s supply and demand/
People die for dumb shit, man every day/
Steppin’ over each other is the American way/
Like money means more than a person’s heartache/
Don’t care about the looks – how much cake do you make?/
Got you messin’ with the wrong dude like he own you/
Now you gotta do things you don’t want to/
The car wash and the drug house – they sell out/
More people buy coke than vote for the White House/
The real crack house – don’t pull your stack out/
You walking to the car, they gonna get their jack now/
That’s how the streets do – ease through/
Smoke around the curbs as red eyes watch you/
Like little demons hurt with fun/
Making best out of tragedy, denial is won/
And that isn’t even my favorite verse, or song, on the album. So despite what you may have heard about this album or what all the scrub bloggers might be saying, I highly recommend giving it a listen. Sunspot Jonz’ “Never Surrender” has jumped out as one of my favorite albums of the year thus far. It is, to say the least, very entertaining, and combines such a wide range of styles that I couldn’t imagine anyone not being able to feel at least some of the tracks. Pick up a copy – I doubt you will be disappointed. Peace.
Tracklist after the jump. Support the movement and cop this hot release here.
Not familiar with the name, but their concept of live instruments intrigues me. Will check this out later tonight for sure.
Heiruspecs (pronounced high-roo-spex) is a live rap/hip hop band based in Saint Paul, Minnesota, specifically the Midway neighborhood. The band’s name is based on a deliberate misspelling of haruspex. The band is mostly known for their live performances. In contrast to many contemporary hip hop groups that use sampling and turntables, Heiruspecs emphasize a raw, live sound, their roots and local scene They have also been known to do shows with Minnesota-local hip hop label Rhymesayers Entertainment. They have a very upbeat sound and are typically on tour for at least half of the year. The group style has been compared to the live hip hop band The Roots.
Tracklist after the jump. Grab this in stores near you!
I really don’t think this cat needs any introduction so I’ll get down to the music. Blu’s debut album with SoCal producer Exile dropped in 2007 and was instantly hailed a classic by man heads (and yours truly). The album includes is critically acclaimed for Exile’s usage of obscure late 60s to early 70s samples as well as his twisting of more well known 90s & early 2ks hip-hop tracks into completely different, yet incredibly beautiful new tracks. It is on this first full length LP that we are introduced to a extremely introspective kind of griot in Blu who fully delivers over Exile’s production with his own brand of average nigga type storytelling which paints panoramic visions in the unworldliest of minds.
Onto C.R.A.C. Knuckles. The Piece Talk is Blu’s second full length album released under the moniker C.R.A.C. Knuckles with Detroit native Ta’Raach. A lot of cats were feeling 50/50 on this one, but I personally think it was quite good. If you listen to a lot of hip-hop acts like Arrested Development, The Pharcyde, Gnarls Barkley and PM Dawn or acts of other genres (particular Afrobeat like Fela Kuti or Brazilian Samba/Funk like Azymuth) then you’ll love it. On this album you’ll catch a more expiramental spontaneous Blu. The production isn’t completely hip-hop and the music isn’t either, but you’ll find a nice mesh of several different genres in here (no electric circus).
As far as full length releases go, the Johnson&Jonson joint is Blu’s last full length joint (thus far). Again Blu revisits his Bridgetown stomping grounds to find a producer for this work in the little known Mainframe. A lot of people don’t realize it, but this Johnson&Jonson joint was actually put together before Below the Heavens and thus considering he was probably on a different wavelength at the time and the album has a different producer we get another completely original sound from Blu which is by no means a bad thing. When I initially heard this album (I got it in late ‘07 ’cause I got it like dat =D) I wasn’t a fan and I let it sit in my unsorted downloads folder for ages. Finally, about three months later I listened to it again ’cause I lost most of my music and it was one of the only things I still had left and I was more than a little impressed. Word, it’s not like Below the Heavens, but it’s almost just as good. The way Blu proved to be an amazing storyteller on BTH is the way he proves to be an amazing wordsmith on J&J. This album is packed with crazy punchlines, wordplay and metaphors and unlike his major label counterparts, his shit also makes sense… no random punchlines here and there (ahm, weezy). BTH or J&J… which album is better? Too close to call…
This drop also includes The Lifted EP, an EP released before BTH, The BeSene EP released earlier this year by Blu & Sene under the moniker Patch Adams (predecessor to an upcoming full length to be titled A Day Late & A Dollar Short), The Narrow Path & Buy Me Lunch VLSs (the only two current VLS avaiable to my knowledge). Purchase information available on Blu’s myspace page (all are worth buying… support the trueschool) and keep looking out for Blu’s upcoming debut Solo album.
*BeSene EP isn’t a scenerip.
*The DJ Heat & Blu So(ul) Amazing mixtape wasn’t include as it’s not official, but can be copped here via our affiliates at SpeakerBoxxx.
*The C.O.R.E. mixtape can be downloaded here.
Another feature I’ve been trying to get to for a minute, and as soon as I saw this album drop not too long ago I thought it’d be a perfect fit to introduce this soon-to-be regular feature here at CTR. Be on the lookout for more non-hiphop albums that are just plain good. It’s unfortunate, but Maroon 5 only recently appeared on my radar. Very smooth vocals over some of the best producers from all facets of the music industry.
How many fans of Maroon 5’s polished funk-pop are also into Deerhoof’s extraterrestrial indie rock, DJ Premier’s boom-bap rap, or Tiësto’s monolithic Euro-trance, much less all three? The L.A. quintet makes it work on Call and Response: The Remix Album, letting those unusual suspects — along with hitmakers like Mark Ronson and Pharrell Williams — play with their master tapes. The resulting hit-to-miss ratio is surprisingly high: Few bands make music that’s elastic enough to be stretched into so many improbable shapes without losing any snap. B+
Very fresh single from the dusty foot philosopher himself. I love the worldy sound on this one, K’naan is that dude. Be on the lookout for Troubadour due out in early ‘09.
Knaan - Abcs Ft Chubb Rock
Label.........................: iM
Genre.........................: Hip-Hop
StoreDate.....................: Dec-04-2008
Source........................: CDDA
Grabber.......................: Exact Audio Copy
Encoding Scheme...............: Lame 3.97 V2 VBR Joint-Stereo
Size..........................: 23,6 MB
Total Playing Time............: 18:51
Don’t let the terrible album art fool ya, this is a fairly solid CD that can be downloaded for free on their MySpace. Cas Metah stands for Christ Almighty Saves Men Everytime They Accept Him which I thought was kinda neat, even though I ain’t even religious.
A couple years ago me and my friend Deuce Complex started work on an album. I was hoping to get a few more songs done, plus some guest verses and scratches, but it went on the back-burner. But I just listened to it again and it is what it is: grimey underground hip-hop. So here it is for anyone interested to download for free. Warning: There are some cuss words on here. Let me know if the link doesn’t work for you and I’ll re-upload it. Peace.
Been sitting on this for a coupla days, need to stop gettin stoned n get my act together. You know Evidence likes to get dirty with them boards.
Fresh off his critically acclaimed solo debut entitled The Weatherman LP, Michael Perretta pka Evidence drops a new collection of instrumental bangers for the fans and beat-fiends. Being foremost acknowledged for his lyrical prowess, Ev has been supplying the underground with classic soundtracks on the down-low since the inception of his world-renowned group, Dilated Peoples. His production credits includes work for Beastie Boys, Linkin Park, High & Mighty, Swollen Members and a who’s-who of West Coast all-stars including Rasco, Defari, Planet Asia and Aceyalone along with a co-production credit on the track “Last Call” from Kanye West’s College Dropout album which earned Ev a Grammy. This new project called The Purple Tape Instrumentals compiles twenty tracks stamped with Evidence’s raw signature sound. Following up 2003’s The Yellow Tape Instrumentals and 2007 s The Red Tape Instrumentals, the third release in the ‘tape’ series is sure to satisfy hungry rappers and Hip Hop addicts from all corners of the globe. Ev’s momentum continues heavy this season with The Purple Tape Instrumentals so be on the look out, as everybody’s checking for Evidence.
01. 03:18 Gettin Up (Main)
02. 04:31 Feva (Clean)
03. 03:12 Work It Out (Dennis Blaze Put Yo Hands Remix)
04. 03:15 Lightworks Feat. Busta Rhymes & Talib Kweli (Dirty)
05. 03:39 Gettin Up (Instrumental)
That Philadelphia is a special place, as far as its density of outstanding musical talent is concerned, is definitely one of the most bandied around platitudes of the last two years. What is easily overlooked, however, is that the musical trend couldnt be more varied despite the numerous connections. Now, Rahsheed, alias Maylay Sparks, one of the most exciting hip-hop producers in the city, presents his debut album on Rapster. That his excellent reputation has so far almost exclusively been enjoyed in insider circles is mainly due to the fact that most of his productions to date have only been available as imports. His band, Rahsheed And Illadvised, of which Baby Black is also a member, has already been firing up underground heads for years. Together with The High & Mighty, Rahsheed was also one of the founders of the Eastern Conference label in 1995. In the meantime, he has relocated to Copenhagen and produced Gray Matter, his first album under his own name. I only really came to Copenhagen to perform with Black Thought from The Roots at the Roskilde Festival. During the performance, I jumped off the stage and broke my leg. Thats how my stay was inadvertently extended. Since then, Rahsheed has become firmly anchored in the hip-hop scene there and has started a family. His musical output has once again increased in quality. The twelve tracks on Gray Matter are beyond a doubt among the best that hip-hop has to offer in 2003. His universal musical approach has fallen on particularly fertile ground in Denmark. I feel really comfortable in Copenhagen, The people here dont just show a special respect for hip-hop culture, but they are also open to other influences. In contrast to the USA, where the competition is somewhat tougher, you can develop your own ideas here in peace. And on Gray Matter, Rahsheed has achieved this in a particularly impressive manner. His tracks tower above the usual hip-hop standards, far ahead of the densely occupied pack. For me, it was clear from the outset that I wanted to structure this project as simply as possible. Hence the title, Gray Matter. It is in tended to affect people in a very direct way. Rahsheed produced some of the songs in the USA with the help of Malik B (The Roots), Omni, DJ Jaz and Louis Logic. The rest of the tracks came about in England with Joe Buhdha and in Copenhagen with DJ Noize and The Prunes. The twelve tracks sound suitably multifaceted, too. Despite the many co-producers, Rahsheed never lost sight of the real aim of producing a hip-hop record. In the meantime, he has already begun working on a new project a combination of soul and hip-hop elements. New productions under the name Maylay Sparks are also already being planned. These include Legend Of My Own Mind, a band brought to life in conjunction with DJ White Shadow from Norway. Work will therefore not be running out too quickly for Rahsheed. After already releasing 15 singles under various names, Gray Matter is the first record to be marketed worldwide. It was time to take this step. Hip-hop is much more than just music for Rahsheed. That much is clear in each and every song. ..
Never heard of this cat until now, but his first single Contra is very nice (recommended for fans of Sleep of Old Dominion & Grayskul). Peep what he has to say for the album in his own words:
Defining “The Rape”
I have to thank my good friend Brandon for the first sentence of this explanation. His defending of my words for a group of people couldn’t have been summed up better then his first sentence.
I’ve been asked often the definition of my album title, label, and what we call out shows.I’m aware it can be shocking to some, esp. if you’ve had a rough experience with one definition of the word. this is my explanation
“The Rape”, is not referring to sexual assault. It relates to how the music industry rapes us as artists.’(thanks Brandon) to how music is stolen now, to how I feel i’ve had to push myself threw the clutter of polluted meaning that is ‘Hip Hop’ . from the self claimed ‘King of the City’ rappers flooding the scenes with cell phone pictures of their rhinestone or air brushed R.I.P. shirts, to mainstream artist and corporations who chose to slowly de-evolve. Or anyone affected in music, from promoters who are snakes, to said rappers, to everyday people. Our identities are gone, everyone is everything they see. you are your favorite rapper, he is you. you wear the same pants, you talk the same way, your girl acts like the girls they show. you all get to where you are being who someone else is and then escape in drugs to hide from the effect that follows it. Alot stems from music but others as well, an can be changed simply in each area. but its not, we are cavemen, For me it’s life, and my life is music, It could be called ‘The Forced’ but i think it’s worse then forced, it’s mocked, it’s made fun of, it’s humiliated, It’s Raped.
In the end it has two meanings,
the first meaning is how i feel im taking hold of the definition of my
music(and team) and what i do with it when all others have told me to
change it, how to do it, and argue how to label it. Its fine if you
dont think im hip hop, i never asked to be.
1) Rape - The act of seizing and carrying off by force; abduction.
Second meaning is how i think the industry treats us as musicians, and how the musicians in the industry market themselves
2) Rape - Abusive or improper treatment; violation: a rape of justice.
Peep the video for Contra below, more info after the jump. Cubbiebear “Contra”
This is probably my favourite Jazz/Hip-Hop release this year. Sorry it took me so long to post it, I’ve truly robbed ya’ll of a classic gem. Do not sleep people.
Nothing but heaters on this one. DJ Wich is based outta Prague, CZ and the beats on this highly anticipated album are definitely on point. Check the tracklist below and go n cop it now!
Tracklist:
01 - The man with the golden touch (intro)
02 - Get live (feat. Slum Village)
03 - Give up your guns (feat. Royce Da 59, Talib Kweli, Raekwon) (original edit)
04 - Coasting (feat. Kurupt & Nironic)
05 - It don’t stop (feat. Big Noyd, Frank Nitty, Guilty Simpson & Dj Rafik)
06 - Classic (feat. M.O.P.)
07 - Gone with the wind (feat. Cali Agents)
08 - Is you ready (feat. Young De, J-Ro & Tekneek)
09 - What we need (feat. Glasses Malone & Lil Wayne)
10 - Give it up (feat. Little Brother)
11 - They don’t know how (money over here) (feat. Havoc, Kurupt & Roscoe)
12 - Do my thing (feat. Nironic)
13 - On and on (feat. Rasco)
14 - Superman (feat. Frank N Dank)
15 - Much Higher (feat. Kurupt & Nironic)
16 - We finally here (feat. Tangled Thoughts)
17 - Unstoppable (feat. Guilty Simpson & Rascoe)
18 - Always on the run (feat. Gail Gotti & Roscoe)
19 - Cheat on her (feat. RL of Next & Nironic) (bonustrack)
Haven’t had a chance to listen to this one yet, but if it’s anything like the previous Misled Children projects I’ve heard then we’re in for a special treat!
It is rumored that this album has a guest appearance by Clutchy Hopkins. We are not quite sure if this is true or if Clutchy Hopkins even exists. All we know is that this record was created either by a group of Jazz musicians or by just one man.
The perfect union of hip hop and jazz! With Misled Children’s live instrumentation approach to hip hop and the maturity of Odean Pope’s amazing horn playing and horn arrangements, “The Misled Children meet Odean Pope” will be one of the most memorable recordings of 2008. Filled with funky rhythms, tight beats and a solid horn foundation, those in the hip hop and jazz community will find equal fondness for this recording.
the homie bambu’s new album “exact change” finally dropped today! i’ve been waiting for this shit for a long time and now that i’ve finally heard it i can honestly agree with those that say that it’s his best work yet.
first off the production on the album is just filthy! big name producers like illmind,sabzi (blue scholars) and amp live (zion i) come hard but my dude fatgumssteals the show. the chemistry between bambu’s words and fatgums beats is so effective that i hear they have their own EP in the works.
what impressed me the most about “exact change” is bam’s level of maturity and outlook that i haven’t heard on his previous albums, the kind of wisdom that i imagine can only be gained by becoming a father. like my other top emcees (geologic of blue scholars, slug of atmosphere, andre 3000) bambu gets his grown-man on and talks more about setting a good example than offing a pig. don’t trip, bam’s unapologetic political analysis is as sharp as ever but this time it’s more focused and specific…to build and serve a strong community for his seed to grow-up in.
I know that we’ve had these two posted herebefore, but they were just the webrips that were available at the time. Check out the retail grouprips below if that’s your thang (I know it’s mine).
Supposed to be Common’s attempt at a especially mainstream friendly album. I’m not going to say I don’t want to hear it just because of the concept, ’cause Com usually doesn’t disappoint, but I just can’t seem to get excited about this release. Don’t care to give the rundown of who Com is either ’cause if you don’t know who he is, you need to go back under the rock you just came out of…
*yawn*.
Somebody write a review of this or something. Info after the jump.
Erick and Parrish Making Dollars! Sure hope they’re bring that ol’ skool sound in this one.
Legendary rap group EPMD is preparing to drop their 7th studio album “We Mean Business” by early next year, but the group has also inked a deal with Unique Distribution to distribute the group’s singles as 12 inch vinyls on the Def Squad/Hit Squad label.
Legendary rappers Erick Sermon and Parrish Smith, better known as EPMD, have come back together to work on their 7th studio album, “We Mean Business” due for release in early 2008. What is more interesting than the group’s first studio album in 10 years is the fact that EPMD is attempting to go back to their roots, and have inked a deal with Unique Distribution to market and distribute 12 inch vinyl singles for the Def Squad/Hit Squad label.
In a recent interview with Allhiphop.com, Erick Sermon explained why DJ Premier was a factor in the decision to go vinyl, and why rappers should think about releasing their own 12 inch vinyl singles: ”DJ Premier said ‘its cool to do the cds and all that, but you gotta respect the vinyl’ and Unique Distribution stepped their game up. I encourage a lot of rappers to release their own vinyl independent of the label situation, because you know who how labels do, if the first single aint poppin’ off right away, then bam it’s a wrap for you.”
Parrish Smith also explained that throughout the years, EPMD has collectively maintained a certain level of creativity, a process which has allowed the group not to rush into making music: ”We have a good group of soldiers around us. It’s a combined effort, we’re not rushing making music, we’re going back through and listening to EPMD albums that keep that same element. You gotta listen to your corner, its just like in boxing, you’re only as good as your corner. That’s the difference between winning or getting knocked out.”
With regards to the vinyl distribution deal and ol’ school hiphop in general, Parrish Smith went on to explain that real hiphop fans should support the venture: ”There are millions of people that still love underground Hip-Hop. It’s not being embraced. If you want the Hip-Hop you love back, then support it. Overseas is how it still should be. MC’s like Jeru the Damaja , DeLa Soul, they are loved as much as the mainstream over here, they still love to hear that snare and kick, that sample, those lyrics. Big up to Kayne, Common, Mos Def, and dudes like that, who are releasing that type of music, regardless of what’s popular.”
EPMD first broke onto the scene in 1988 with the critically acclaimed debut album “Strictly Business,” and continued to be prominent in the mainstream throughout the late 80’s and 90’s with such hits as “You Gots To Chill” and 1992’s “Crossover.” Although the group split in 1993 under questionable circumstances with both Erick Sermon and Parrish Smith pursuing solo careers thereafter, collectively both men were responsible for introducing such legendary artists to the game as Redman, Keith Murray, Das EFX, and others.
Very cool album with an old rock/funk feel to it. Check this out if you’re lookin to mix things up; fans of all genres will appreciate the rifts on this one. DJ Format is outta London, England and dude is sick! Cop this goodness here.
Title [Kings Of Rock ]
Artist [Soulsavers Soundsystem & DJ Format ]
Label [SSS ] Genre [Hip-Hop ]
Quality/Size [44.1 @VBR 76,4 MB] Ripped [11-29-2008 ]
Grabbed from [CDDA ] Enc [Lame 3.97 ]
Website [n/a ]
01 03:34 The Truth Feat. Freeway & Brother Ali (Clean)
02 03:34 The Truth Feat. Freeway & Brother Ali (Dirty)
03 03:35 The Truth (Instrumental)
04 02:14 Trap Door Feat. Mf Doom
05 02:13 Trap Door (Instrumental)
06 03:38 Hurt U Feat. Kardinal Offishal & Pharoahe Monch
Totals
06 18:48 min
Release Notes:
12" from the White Van Music LP. Has a bonus cut with
non-album track. Bonus shit is banging.
Dope album from E Reece recorded with a live band. I loved E Reece’s 2007 LP A New Breed so this should not dissappoint. For fans of that good ol’ indie hip-hop and especially jazz rap fans.
Title [L.I.S.N 2 This Live.In.Studio ] ░██▓
Artist [E Reece & Core Elements ] ██▒
Label [Mic Life ] Genre [Hip-Hop ] ██░
Quality/Size [44,1 @VBR 61,2 MB] Ripped [12-01-2008 ] ▒██
Grabbed from [CDDA ] Enc [Lame 3.97 ] ▓██
Website [www.ereecelive.com ] ▒██ Read the rest of this entry »
Cool album I checked out earlier today during my break from football. Wasn’t familiar with these dudes, here’s what their MySpace has bout em:
It’s been a long time coming!! These two 80’s babies have been hard at work for the past couple years perfecting their craft, and producing quality beats that speak way beyond their years. Influenced by the likes of 9th wonder, Jus Blaze, Hi-tek, and Alchemist….The MESSANGERS are bringing that southern cali soul music to the forefront…Their beats have been featured on numerous projects, but their first two official projects are droppin in 2008. The first was the Jay-Z: American Gangster REMIXES, which took an already crazy album to another level. And the other is a collaboration with the Sky City MC, Son of Ran, with the Messangers providing all the beats. Author of the great Sky City Classic, Son of Ran holds one of the healthiest buzzes in the indie-hip-hop neighborhood. After feeling the heat of joints such as “Street Runners” - “The Heartbreakers” and “Soul”, fans worldwide have been anticipating the release of an official album for far too long. Now - the wait is over… Here, you can purchase THE very first hard-plastic, inflammable-wax & the next street classic….. The Incoming Message.
Tracklist after the jump. Buy the CD directly from their MySpace.
Artist: Kid Cudi Vs. Crookers
Title: Day ‘N’ Nite
Label: Fools Gold
Genre: House
Bitrate: 192kbit av.
Time: 00:44:15
Size: 63.71 mb
Rip Date: 2008-11-28
Str Date: 2008-00-00
1. Day ‘N’ Nite (Radio Edit) 2:45
2. Day ‘N’ Nite (Club Mix) 4:43
3. Day ‘N’ Nite (Bimbo Jones Vocal Mix) 8:13
4. Day ‘N’ Nite (Mobin Master Remix) 7:38
5. Day ‘N’ Nite (Jokers Of The Scene Remix) 7:18
6. Day ‘N’ Nite (Agent X Remix) 5:12
7. Day ‘N’ Nite (Original Mix) 3:43
8. Day ‘N’ Nite (Crookers ‘At Nite’ Dub) 4:43
Sure sounds like a funky mix. Features include the likes of Mac Letha, Reef The Lost Cauze, iCON The Mic King, Apathy, J-Zone, and more. Only one way to find out.
What do you get when you take louis logic’s 2003 cult classic debut, mix it with beats made from the hottest tunes of the 1980’s and sprinkle in an incredible list of featured guest appearances? “Sin-A-Matic: the 80’s Edition”
Tracklist after the jump. You can cop the CD here.
For any questions regarding legality of the indexed material found within the pages of www.checktherhime.com see the following page:CTR Legal Disclaimer.
TheDude: The new Blu mixtape (Soul Amazing 2) as well as the Inverse EP are fire! Make sure to give em
a spin CTR!
TheDude: It's still there Solaar u don't see it?
Lonley Stoner: *Skratch Bastid link added*
Kirby [The Almighty]: 5ve Mixs if pretty dope. Everyone should join.
MBWOB: Wuts good, this tape is 4 real, new official bossman and ross,
miami by way of baltimore mixtape
NickyNick: 5ve Mics is awesome. Keep this shit goin.
Solaar: Hi, i was exited to get the 90's compilation but it seems to have been removed.. do you know if you may do another or a re-up of the last. Thanks and 5ve Mics looks very impressive btw. Peace
TheDude: So good to be back folks The few days spent with the 5MC community surpassed my highest expectations!
Heaps: Some quick promotion for 5ve Mics on the blog (MS)! Keep it up and I'll register/post soon.
The few days spent with the 5MC community surpassed my highest expectations!